The Sterling and Francine Clark
Art Institute opened Stone Hill Center, designed by Tadao Ando, on June 22,
2008. Located on a wooded hillside, Stone Hill Center houses two new galleries
in which the Clark will present exhibitions highlighting its collection as well
as works representing periods and cultures not currently shown at the Clark. A
terrace affords magnificent views of the Taconic Range and Green Mountains, and
a new network of scenic trails and walking paths integrates the building into
the landscape.
Stone Hill Center also houses the Williamstown Art Conservation Center (WACC), the largest regional conservation center in the country. WACC treats objects ranging from historic artifacts, antiques, and heirlooms to some of the most important paintings, watercolors, drawings, photographs, sculpture, and furniture in the United States. Well-known works of art conserved at WACC include Vincent van Gogh's Irises, Thomas Hart Benton's America Today murals, and Jackson Pollock's Number 2, 1949.
Stone Hill Center also houses the Williamstown Art Conservation Center (WACC), the largest regional conservation center in the country. WACC treats objects ranging from historic artifacts, antiques, and heirlooms to some of the most important paintings, watercolors, drawings, photographs, sculpture, and furniture in the United States. Well-known works of art conserved at WACC include Vincent van Gogh's Irises, Thomas Hart Benton's America Today murals, and Jackson Pollock's Number 2, 1949.
The Clark has established a
vision for the future that allows for physical expansion, improves circulation,
and dramatically expands the public use of its sweeping 140-acre campus.
Since its opening in 1955, the quality of its collections, the depth of its
scholarly and public programs, and the natural beauty of its setting have made
the Clark a unique institution and a favorite destination. With its dual
mission as both an art museum and center for research and higher education, the
Clark is known as one of the world’s most vibrant centers for exploring issues
in the visual arts. As its programs and global impact have grown over the last
decades, the Clark’s facilities were increasingly taxed to provide the space
and services necessary to meet the demands of these initiatives and future
goals.
In 2001 the Clark approved a
master plan developed by Cooper, Robertson & Partners that dramatically
reconceived the Clark campus. Pritzker Prize-winning architect Tadao Ando and
landscape architects Reed Hilderbrand Associates were selected to articulate
this campus plan, including pivotal decisions to remove the current maintenance
building and relocate the main parking areas in order to make way for
significant landscape and architectural changes. Architect Annabelle Selldorf
was commissioned to renovate the original museum building and the Manton
Research Center (built in 1973) in a way that respects the original
architecture, repurposes spaces to better serve both the museum and research
and academic programs, and enhances the visitor experience.
In 2008 Stone Hill Center
opened, a new building affording panoramic views from its location on a
previously undeveloped portion of the campus. The facility has been cited for
its stunning gallery spaces, community meeting rooms, outdoor café, and walking
paths. Additionally it houses the state-of-the-art facility for the
Williamstown Art Conservation Center. In summer 2010 work began on the
infrastructure for the next phase of the project, the construction and
renovation of the main campus buildings and grounds. Work is now complete on a
new loading dock, food service and core mechanical facilities, and other
back-of-house spaces. The models and interpretive materials here provide a look
at the entire project, focusing primarily on the current construction,
renovation, and campus landscape that will open to the public in June 2014. We
look forward to sharing the next chapter of the Clark’s history with you.
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