The Farnsworth House,
built between 1945 and 1951 for Dr. Edith Farnsworth as a weekend retreat, is a
platonic perfection of order gently placed in spontaneous nature in Plano,
Illinois. Just right outside of Chicago in a 10-acre secluded wooded site with
the Fox River to the south, the glass pavilion takes full advantage
of relating to its natural surroundings, achieving Mies’ concept of a strong
relationship between the house and nature. More on the Farnsworth House
after the break.
The single-story house
consists of eight I-shaped steel columns that support the roof and floor
frameworks, and therefore are both structural and expressive. In between these
columns are floor-to-ceiling windows around the entire house, opening up the
rooms to the woods around it. The windows are what provide the beauty of Mies’
idea of tying the residence with its tranquil surroundings. His idea for shading
and privacy was through the many trees that were located on the private site.
Mies explained this concept in an interview about the glass pavilion stating,
“Nature, too, shall live its own life. We must beware not to disrupt it with
the color of our houses and interior fittings. Yet we should attempt to bring
nature, houses, and human beings together into a higher unity.”
Mies intended
for the house to be as light as possible on the land, and so he raised the
house 5 feet 3 inches off the ground, allowing only the steel columns to meet
the ground and the landscape to extend past the residence. In order to
accomplish this, the mullions of the windows also provide structural support
for the floor slab. The ground floor of the Farnsworth House is thereby
elevated, and wide steps slowly transcend almost effortlessly off the ground,
as if they were floating up to the entrance. Aside from walls in the center of
the house enclosing bathrooms, the floor plan is completely open exploiting
true minimalism.
With the Farnsworth
house constructed about 100 feet from the Fox River, Mies recognized the
dangers of flooding. He designed the house at an elevation that he bellieved
would protect it from the highest predicted floods, which are anticipated every
hundred years. In 1954 the river rose six feet above the one-hundred-year-mark
and flooded the house. However, Mies was not able to anticipate the increase in
water runoff caused by the development in the Chicago area which led to more
floods. Current research states that the interior of the house has received
flood waters on 6 occasions, beginning in 1954 and becoming more frequent
having also flooded in 1996,1997, and just recently in 2008.
Although there were
some problems with the maintenance of the house due to flooding and
livability of the design that involved complaints about the poor ventilation of
the interior as well as cost overruns, there is no doubt that the Farnsworth
House is the essence of simplicity in its purest form. The brilliance in its
artistic design became the inspiration for other works, such as Philip
Johnson’s Glass House. The man-made geometric form creates a relationship the extraneous
landscape surrounding it to exemplify “dwelling” in its simplest state. As Mies
stated on his achievement, “If you view nature through the glass walls of the
Farnsworth House, it gains a more profound significance than if viewed from the
outside. That way more is said about nature—it becomes part of a larger
whole.”
Architect: Ludwig Mies van der Rohe
Location: River Road, Plano, Illinois, USA
Client: Dr. Edith Farnsworth
Project Year: 1945-1951
Location: River Road, Plano, Illinois, USA
Client: Dr. Edith Farnsworth
Project Year: 1945-1951
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